Jason's Kendo Blog

June 2004 - June 2005


05/28/2005

    Missed practice due to illness.

05/21/2005

05/14/2005

05/07/2005

04/30/2005

04/23/2005

04/16/2005

04/09/2005

Missed practice due to illness.

04/02/2005

03/26/2005

03/19/2005

03/12/2005

03/05/2005

02/25/2005

02/19/2005

02/12/2005

02/05/2005

01/22/2005

01/15/2005

01/08/2005

12/29/2005

12/13/2004

12/05/2004


11/27/2004

Muscle cramping in the right pectoral muscle. Also a bit exhausted- started to feel a little faint. Kiaing seemed to help a lot.

11/20/2004

11/13/2004

11/6/2004


10/31/2004


10/23/2004


10/16/2004


10/12/2004


10/9/2004

10/02/2004


9/25/2004

9/18/2004


9/11/2004


9/10/2004

Found: http://wfkendo.com - Best Kendo page I've found so far - has really useful videos

9/4/2004


8/28/2004

8/22/2004


8/14/2004

8/7/2004

Missed class due to vacation.

7/31/2004

This is the end of the beginner's class.

7/24/2004

7/17/2004

New stuff learned:
- Cut to left and right side of the head with suburi style footing
- Okuri-ashi in a right circle and then in a left circle - difficult footing problem- must practice
- Step 45deg to right and strike, Step 45deg to the left and strike.When 45deg on left, left foot is in front of right foot unlike normal stance.
- Cutting to kote height
- Keeping left arm straight when striking is crucial - wrist should not be bent either
- Okuriashi review- left foot always straight, right foot bent slightly and sliding forward
- Last thing we learned was to strike a shinai placed Men height and horizontal, shouting Meeeeeeeeeen, and then follow thru several steps of okuriashi; turn around to face the opponent; return to chodan no kamae; and then bow. Turn is always in the angle of shortest turn to face your opponent.
Jogeburi is the suburi where the shinai is brought all the way back to touch your back.

7/10/2004

Missed practice due to NSF Meeting

7/3/2004

Review:
- ayumi-ashi - walk normally
- suri-ashi - the usual shuffle- stepping/sliding the right foot forward and pulling the left foot up to the level of the right heel.
- okuri-ashi - the 12-3 waltz  shuffle -ie move right foot forward, then quickly left foot to follow
- Tsugi-ashi - used to close a long distance - rarely used in kendo <-- not learned in class

Practiced okuri-ashi with partner and tips of shinai touching and keeping in perfect distance. 3 moves forward, 3 moves back.

Practiced face cuts:

A. The cut then retreat to kamae- ie together in synch with okuri-ashi forward, raise shinai and strike to head level. Then in retreat move, okuri-ashi backwards to kamae pose. (there is a name for this but I can't remember- i think it is called Uchikomi)
B. Practice with just left arm - Katate suburi
C. Strike with forward-okuri-ashi; then strike with backward-okuri-ashi - this rhythmic sequence is called suburi

Issoku-no-maai is at a distance where the tips of the swords just cross

Arms should be fully extended at the end of the strike.

Other terms I am starting to decipher:

REISHIKI (Etiquette) at the start of a practice
SEIRETSU Line up ready to begin. SHINAI in SAGETO.
SEIZA Kneel down performing HAKAMA SABAKI. SHINAI raised to TAITO.
MOKUSO Relax the body and empty the mind to prepare for practice. Breathe deeply into the stomach. Don't totally close your eyes (bad zanshin).
JOSEKI JOSEKI NI REI. Bow to the DOJO regalia (DOJO NI REI should be used if there is no regalia). <--- we don't do this in our dojo
SENSEI SENSEI GATA NI REI. Bow to the teachers. <--- I think we just do SENSEI NI REI

REISHIKI at the end of a practice
SEIRETSU Line up ready. SHINAI in SAGETO.
SEIZA Kneel down performing HAKAMA SABAKI. SHINAI raised to TAITO.
MOKUSO Relax the body and empty the mind to prepare for leaving the dojo. Breathe deeply into the stomach.
SENSEI SENSEI GATA NI REI. Bow to the teachers.
JOSEKI JOSEKI NI REI. Bow to the DOJO regalia.

At some point we do SHOMEN NI REI - bow to the kamiza - flag/banner of dojo

Hajime - begin
Yame - stop
Seiza - sit (formally)
Rei - bow
Otagae ni rei - mutual bow to your partners
Sonkyo - crouch with sword facing your partner/opponent
Kamaete - take kamae (chundan no kamae)
Osame to - means to take sonkyo, retract your shinai, stand up, take five steps back and bow.

6/26/2004

Revised starting and ending sequences
SPent most of the time doing okuri-ashi with shinai in hand- especially doing the 1,2-3 waltz step - keeping shinai and head perfectly level

mokuso is to sit in meditative pose with hands in cup and thumbs together

6/19/2004

-Learned that the junior students offer to sweep the floor from senior students
- Learned how to hold the shinai
- string of shinai is up. Blade is on the otherside of string.
- In at-ease mode, Shinai is held at left hand side with blade up (ie string down)
-shinai etiquette- never walk over a shinai, never place the point of the shinai on floor, Never throw the shinai down on the floor
-When place shinai on floor next to you in seated position, point the blade inwards towards you.
- Learned how to hold the shinai and okuri-ashi at the same time- keeping shinai tip level and at throat height, also left grip should be 1 fist away from tummy.
- Learned how to raise the shinai and lower it to strike- use left hand to carry weight of shinai and right only to guide.
On downward slash wring both hands together tight.
- Learned how to sit and place shinai at side (with thumb on tsuba when lowering it in horizontal orientation to place at one's side)
- Learned how to start and end a shinai practice session
    - bow
    - place thumb on tsuba
    - 3 normal steps forward beginning with right foot and begin to push tsuba with thumb as if to unshieve sword.
    - on 2nd step take tsuka [handle] with right hand by turning left wrist anticlockwise so that
        blade points away from body. Then grab handle with right hand.)
    - on 3rd step start drawing shinai with shinai mostly drawn when left foot moves into place
    - squat (sonkyu) with shinai pointed at opponent - feet should be at 45degrees 'V' shape centered about butt, lower body to sit on heels
    - stand in chudan-no-kamae position with shinai pointed at opponent.
- To end shinai session
    - in chudan-no-kamae position, squat to sonkyu with shinai
    - return shinai to side with thumb  on tsuba
    - stand in kamae postion
    - step back 5 small steps
    - lower shinai to side further by removing thumb from tsuba
    - bow

6/12/2004

- Reviewed etiquette, warming up and movement.
- current new students are: Kaoru, akira, eliot, jim
- Kevin is the more cheerful assistant to the sensei
- learned today that when I move forward and backward I must keep my head level; and to move fast you do so with smaller steps. To move forward you thrust with your rear foot. To move back ward you thrust with the right foot.
- learned that wearing sweat pants helps with knees on hard floor!
- bowing- make sure your elbows are out and flat with ground. Do not lay your forehead all the way to the ground.
The idea is that if someone stomps you on your back you can brace yourself by your elbows and your face won';t go thru the floor.
- shinai are placed on the left in this dojo.
- Counting for warmup exercies:
Ichi, ni, san, shi go roku shichi hachi
Ni ni san shi go roku shichi hachi
San ni san shi go roku shichi hachi
Yun ni san shi go roku shichi hachi

To count to 10:  Ichi, ni, san, shi go roku shichi hachi kyuu juu

Basic kendo foot work (shuffle forwards and back) - okuri-ashi (ashi means foot)
Walking-like foot work to cover larger distances - ayumi-ashi

6/5/2004

Joined Choyokan Kendo Dogo: http://www.choyokan-kendo.org/ - Main Dojo Website

Learned:
- Etiquette:
    bowing to shrine on entry and exit (30 degrees, eyes down),
    bowing between peple (15 degrees, eyes to eyes),
    sitting - left leg first, hands never touch ground, men's legs are 2 fists apart,
        when sitting, sit at read position, not butt on heals
    rising - right leg first,
    cowtowing - first finger and thumbs together
- Kamae - guard stance
- Yamae - stop
- Movement forward, backward and side to side
I think the other team mates names are: jim, ucowru, akira