EVL Faculty Professor, School of Design

Daria Tsoupikova

Three UIC faculty members, including Professor Daria Tsoupikova and Assistant Professor Fabio Miranda from UIC&rsquo;s Electronic Visualization Laboratory (EVL), and the School of Design&rsquo;s Professor Sharon Oiga, can see their work on display nightly, as part of a larger-than-life public art installation downtown - <a href="https://artonthemart.com/chicago-design-through-the-decades/">Art on theMART</a>. 
The display referred to as Chicago Design Through the Decades is a journey through the last hundred years of the history of Chicago design and is based on the collection of the <a href="https://chicagodesignarchive.org/">Chicago Design Archive (CDA)</a>, a permanent online record of design in the city. The historical imagery is assembled using machine learning algorithms provided by Miranda, which is a tribute to Chicago as the home of neural networks. The final imagery is projected across the Chicago River onto the Merchandise Mart for a spectacular digital art experience. The display runs through December 30th nightly at 7:30 p.m. and 8 p.m. 
Stay tuned for the possibility of student collaboration on another Art on theMART display or similar public digital art project given the new undergraduate <a href="https://cs.uic.edu/undergraduate/cs-and-design/">CS + Design</a> major, which debuted Fall 2022. UIC is the only public university that currently offers this degree, and prospects are bright for students to participate in innovative digital art projects such as Chicago Design Through the Decades in the future. 
<a href="https://cs.uic.edu/news-stories/larger-than-life-cs-faculty-participate-in-public-art-project-in-downtown-chicago/">Read Andrea Poet&rsquo;s full article</a>.

UIC CS News Features &ldquo;Larger than life: CS faculty participate in public art project in downtown Chicago&rdquo;

&ldquo;Hummingbird&rdquo; is coming to the Chicago Children&rsquo;s Theater March 24-26th. Written by Jo Catell and developed by Daria Tsoupikova, Sai Priya Jyothula, Andrew Johnson, Arthur Nishimoto and Lance Long at EVL, this experience is described as collaborative Virtual Reality (VR) for tele-Immersive interactive theater. &ldquo;Hummingbird&rdquo; performances provide the opportunity for people to experience the show in two different ways: as a VR participant wearing a head-mounted display and interacting with the environment, or as an observer watching participants perform! 
A gutsy teen has to outsmart her mother&rsquo;s narcissistic boss and survive dangerous new technology in hummingbird: a live, immersive adventure that transforms theatrical storytelling utilizing cutting-edge, virtual reality technology1 
Free Performances: Fri 3/24 @ 6:30pm, Sat 3/25 @ 2:30pm & 4pm, Sun 3/26 @ 2:30pm & 4pm 
Recommended For Ages 10 & Up 
Run Time:50 minutes 
See the Chicago Children&rsquo;s Theater <a href="https://chicagochildrenstheatre.org/event/hummingbird/">web posting</a> for more information. 
&ldquo;Hummingbird&rdquo; performances are made possible with the support from the National Endowment for the Arts grant for art projects, Illinois Arts Council, Electronic Visualization Laboratory (EVL), and the University of Illinois Presidential Initiative to Celebrate the Impact of the Arts. 
See <a href="https://hummingbirdvr.com/"> https://hummingbirdvr.com/</a>

&ldquo;Hummingbird&rdquo; Performances Scheduled at the Chicago Children&rsquo;s Theater

Written and programmed for EVL&rsquo;s CAVE2 by UIC Masters of Design student Quentin Bu, &ldquo;Elegy&rdquo; is a highly experimental virtual reality work, merging the artist&rsquo;s original poetry and audio composition, graphic design, 3D typography and physical computing activated through participant movement and gestures. Created as Bu&rsquo;s Masters thesis - Elegy uniquely combines performance art with virtual reality. 
To escape, to free, to grow, to part, to forget, to recall, is to reorganize and make choices about what to let go of and what to hold on to, and it is to physically leave a place and move far away without knowing if you&rsquo;ll find a way back. 
Writing is my emotional conduit, for the moments when strong emotions have nowhere else to flow: whether it&rsquo;s journaling, composing bad poetry, scribbling on an airplane sickness bag, jotting down stream of consciousness, or repeating phrases in my head while wandering around unfamiliar streets. The Elegy is my poetic, perhaps futile attempt to consolidate and immortalize the transitory states of life. 
My design methods include object-making, working with restrictions, experimenting with technology, and exploring metaphors. An Elegy for the Departed is a culmination of my creative endeavors with the media to realize them. 
The Elegy is also a technological experiment. It is a performance using wearable technology to track body movements, connecting the physical body with a virtual digital metaphor for a body. What does typography in virtual reality spaces look like? How can I best use the technology I&rsquo;ve developed to effectively tell a story?

Elegy in EVL&rsquo;s CAVE2

An Elegy for the Departed - an Interactive Virtual Reality+Physical Computing Typographic Performance

Master of Design graduate student Quentin Bu presents her virtual reality performance piece &ldquo;An Elegy for the Departed - an Interactive Virtual Reality+Physical Computing Typographic Performance&rdquo; in EVL&rsquo;s CAVE2. 
Friday, May 5, 2023 
11:15 - 11:45 AM 
Room 2036 ERF 
Elegy is a highly experimental virtual reality work, merging the artist&rsquo;s original poetry and audio composition, graphic design, 3D typography and physical computing activated through participant movement and gestures. In the artist&rsquo;s own words &ldquo;The Elegy is my poetic, perhaps futile attempt to consolidate and immortalize the transitory states of life.&rdquo;

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