each painting began as a 4 by 8 foot construction sheet.

This sheet was coated with a raw color mixed into water putty, then cut into

four (unequal) parts, and re-assambled, such that the original outer edges

are turned to the interior of the painting.

By these geometric translations, the framing edge is turned inside-out.

This series of paintings concerns itself with the shapes that result

from various cutting and translating of the four parts.

copywrite © 1975 by Dan Davidson

In a series of charcoal graphite drawings on paper,

I played with the inherent motion of these geometric tranlations.

And in a series of collages, I invert well know paintings.

had come from the "empty" rectangle in the center of the painting since

they are of the same size and proportions. Nor was it simply added on.

For in all of these inversion paintings, no area of the surface was added

or subtracted. The "empty" rectangle is created by the inversion of the

paintings four parts.

(Yes, the white brick wall can be seen through the painting.)

the original outer edges as they butt against each other to form this new,

somewhat "winged" shape. The total area of this (and all the other paintings

that have an open space in them) has been increased by that openings area.

The brown water putty is trowled up the length of the 4 by 8 sheet, then cut

into four parts. (The darker brown areas mark the original outer edges.)

This is one of several possible re-arrangements for these parts.

(Try to re-assemble the original 4 by 8 rectangle.)

while the arched cuts have become the framing edges of this new shape.

The indigo blue water putty was sweept in archs across the surface, but at the

original edges the putty was swept parallel. Through the inversion translations,

the original edges have remained oriented to the horizontal and vertical axis.

To put the parts back to the original rectangle, in your mind's eye, move the two

top shapes to the bottom, and the two left shapes to the right...the rectangle is back.

And the little horizontal rectangle is gone!

rectangles. Though the translation of its parts, the original orientation is held.

No new area is "captured".

To mentally re-arrange, put the left triangle to the right, and the right one to the left.

Then exchange the top shapes for the bottom shapes to bring back the rectangle.

While this interior rectangle has remained in the vertical-horizontal axis,

the outer shape has turned to a squarish diamond with concave and convex facetes.

upon inversion, the outer shape of this painting reflects the angles precisely.

DANZ ART HOUSE Resume 1997 Nails & String 1995 The Pythagorean Theorem 1992 In the Company of Men 1990 The Head Game 1970 Perspective Grids